Luigi: The Story Behind the Story by John H Richardson – Sympathy for a Devil?
On December 5, 2024, a leading publication published the headline “Insurance CEO Shot Dead In Manhattan”. The report then noted that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a assailant who then calmly departed the scene”. The daytime killing was indeed both cold and shocking. But many Americans had a different response: for those who had been denied health insurance or faced exorbitant healthcare costs, the news felt like a release. Social media blew up. One post read: “All jokes aside … no one here is the judge of who deserves to live or die. That’s the job of the AI algorithm the insurance company created to increase earnings on your health.”
Five days later, Luigi Mangione, a handsome, twenty-six-year-old University of Pennsylvania graduate with a master’s in computer science, was arrested at a McDonald’s in Altoona, Pennsylvania. He awaits trial on federal and state charges of murder, with the district attorney seeking the death penalty. So who is Mangione? And what might have motivated the accused offense? These are the questions John H Richardson attempts to answer in an inquiry that explores broader themes, too.
Understanding the Person
A writer for a major publication, Richardson spent years researching the groups that exist in the hidden parts of the internet, writing stories about people “plagued by genuine concerns about an end-times scenario”. To reveal “the making” of his subject, Richardson first examines Mangione’s extensive reading. We learn that “[when] he was arrested, Luigi had a list of nearly three hundred titles on Goodreads”. Their content covered climate change to masculinity, along with a “emphasis on his own self-improvement, both physical and mental”. Furthermore, Richardson sifts through his communications with online personalities and authors as well as his many updates on digital networks. These original materials, meant to paint a portrait of Mangione, instead render him an amorphous figure. Richardson tries to justify this by proposing that “Luigi’s mystery, in fact, is what gives him a little of that old deceiver’s charm”. Throughout the book, Richardson tries to frame his subject in archetypal terms.
Mangione is deeply anxious about the world around him, one where ‘change is rapid whether we like it or not’
Interpreting the Incident
As for “the meaning” of the title, Richardson uses as a clue three words – “postpone”, “refuse” and “remove”, etched on the ammunition left behind at the crime scene. These are the terms occasionally employed by health insurance companies to reject claims. He looks at the evidence Mangione suffered from a chronic back condition, which might have provided motive for an attack, but finds no proof; instead, what significance there is seems to rest in Mangione’s philosophical dread about the world around him, one where “the pace is quickening whether we like it or not, sliding faster and faster to the edge”; a world where the consensus seems to be that AI is going to eventually either take control, or eliminate humanity, or both.
Gaps in the Narrative
Conspicuous by their absence from the book are conversations with the principal actors. Richardson asked, of course, but never expected access to Mangione himself. And his family made it clear that they had decided against speaking to the media in advance of the trial. Another flashing-yellow omission is any detailed data about the deceased, Thompson, though we learn that under his leadership, from 2021 to 2023, UHC profits increased by 33%.
Ambiguous Findings
By book’s end, the reader has little insight of Mangione’s character or what could have driven his alleged crimes. Worse still, Richardson’s apparent empathy for him gives the reader the uncomfortable impression of having been exposed to a subtle approval of an targeted killing. In the book’s final lines, Richardson presents his mythical interpretation: “We’ve entered a era of stories, the insane ruler, the monster in the maze and the emperor without clothes.” In that fable “Robin Hoods come with a beautiful promise … They arrive in times of social turmoil, when the population is in pain and everything is confusing anymore.”
One thing is certain: as Mangione’s defence team continues in its attempts have accusations that could lead to the ultimate sentence thrown out, any mention of myths, Robin Hoods, champions or monsters will not be allowed in court in support for this attractive individual with a “features reminiscent of classical art” facing judgment for murder.